Muso-bable
The thoughts and ocassional ramblings of a 30-something muso.
Hello, I’m a muso. I'm one of those guys you see digging around the racks of vinyl in London's backstreet record shops. I'm not addicted, I can give it up whenever I want. I just need to find that limited edition 7" single that the NME made single of the week. Maybe you've bumped into me in the queue for the bar at The Academy or The Astoria. There are thousands of us in London - I've seen all the regular faces in the record shops and at the gigs.

This blog is my attempt to write about the records that I love, the gigs I've been to and, well, anything else to do with music. Hopefully you'll find something here that makes you nod in agreement or rant in disagreement or maybe even laugh.
Monday, May 10, 2004
 
The Rakes - 22 Grand Job, A Review

Yes! I managed to get my hands on a copy of this soon to be legendry debut single from the lovely fellas at Rough Trade, who were limiting people to 2 copies each. I suppose I should have got a second copy to sell on EBay, but I was overcome with joy at getting my hands on this piece of vinyl.

So what does it sound like? Well it manages to pack a lot into something around 100 seconds – it starts with a run through the chorus, before the guitar pattern that anchors the song kicks in. The lyrics have the same distorted feel as every record ever recorded by Billy Childish (maybe they record their songs in the same broom cupboard) and tackle the banality of office life – bird at work looks alright, but the bloke in Sales likes her too, he’s on 28 and you’re only on 22; the lights that are too bright; talking shop with your colleagues in the pub after work, did you do the same degree?

As well as these lyrics, the song manages to squeeze a hand clap break down into the middle and a key change in at the end. Up ‘til now I’ve viewed the key change as an evil invention used to give a song further legs, used when the band can’t think of anything better to do. Exhibit A in the case against, Robbie Williams, Rock DJ. The exception that proves the rule is every record released by Motown, where the key change adds to the excitement (think about Chain Reaction by Diana Ross, which has about 3 key changes). This song fits the later, the key change ups the tension – you can hardly accuse The Rakes of trying to extending a sub 2 minute song.

If you’re interested the band are playing at The Camden Barfly on 18th May.

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