Muso-bable
The thoughts and ocassional ramblings of a 30-something muso.
Hello, I’m a muso. I'm one of those guys you see digging around the racks of vinyl in London's backstreet record shops. I'm not addicted, I can give it up whenever I want. I just need to find that limited edition 7" single that the NME made single of the week. Maybe you've bumped into me in the queue for the bar at The Academy or The Astoria. There are thousands of us in London - I've seen all the regular faces in the record shops and at the gigs.

This blog is my attempt to write about the records that I love, the gigs I've been to and, well, anything else to do with music. Hopefully you'll find something here that makes you nod in agreement or rant in disagreement or maybe even laugh.
Thursday, May 20, 2004
 
The Rakes - nervous as hellThe Rakes & Pure Reason Revolution, The Barfly

Tonight is the playlouder singles night, a monthly adventure into new bands at the Barfly. Our new heroes, The Rakes are first on early, so whilst most of London is Matthew rocks outhaving a quick drink after work in the sun, we’re in the sub tropical Barfly – last time the inside of the venue saw sunlight – 1908.

Matthew and Alan shop together
The Rakes rattle through a cracking set throwing in 22 Grand Job and its B-Side, Something Clicked And I Fell Off The Edge, somewhere mid set. As last time we saw them they look really nervous, we suspect that this band lives on their nerves – guitarist Matthew looks tense throughout the set and its this tenseness that fuels the songs – this and the thundering drums.

They finish the set with possible next single Can’t Get Laid Until I Get Paid.

PRR - hair and harmoniesThe second band on are Pure Reason Revolution, who are signed to Alan McGee’s Poptones label. The first thing you notice about PRR is the hair – they have lots of it and its asymmetric. If the charts were based on hair cuts then PRR would be right up there with fellow Reading noise merchants The Cooper Temple Clause.

Careful With That Axe, Err, Greg
The songs are long. Very long (I think they manage to get 5 into the 45 minute set) but entertaining with lots of Beech Boys style harmonies – 4 voices in total – and multi instrumentalists. The eclectic style of the music, with shifting time signatures and keyboard squelches is reminiscent of The Beta Band or The Orb. Actually for an old Floyd fan like me these guys are quite exciting and definitely work investigating further.

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